Tuesday, 31 May 2016

Idle wonder

We have plenty of accounts of the corrupting effect of idleness on the rich of England in times gone by. Foolish or vulgar extravagance. Gambling. Alcohol. Other substances when available. Licentiousness and promiscuity. Perhaps viciousness - perhaps taking pleasure perhaps in the corruption or spoiling of others, perhaps taking pleasure in cruelty towards other people, servants or animals. No doubt the rich of other countries were often just as bad - not least the elites of the countries which we colonised. Say the kings and chiefs of Africa and India.

So I have been idling wondering about how this is playing out in the oil rich countries of the Middle East, particularly in Saudi Arabia and the various small states clustered along its north eastern coast. Maybe they have to be careful about alcohol - or go abroad for it - but all the other vices are available, certainly to the men of their ruling classes. Do their sociologists worry about such matters? Have any of ours written treatises on them?

As it happened, a chance item in a recent Evening Standard provided some information on this front. It seems that one Dave Eggars wrote a novel touching on some of this called 'A Hologram for the King', now the subject of a not very good film. Book amazonned and I shall probably report further in due course.

There is also the post at reference 1, so not an original wonder, rather a wonder reprised. The picture included above, taken from the same Blue Sky page on Facebook, suggests that Kuwait Air is not the same thing as Saudi Air.

Not to mention the game of veils, as played in and around Tooting. This game consisting of spotting as many different ways of interpreting Allah's rules about women's public dress as possible. A rather lax recent example was a youngish woman on the tube expensively turned out in a expensive looking, long open front cardigan in chunky cream wool over smart white linen trousers, topped off by a very pretty and expensive looking flowery scarf covering the head. The sort of material which might otherwise have been made into a summer blouse or frock. Probably fancy make-up and fancy accessories as well, but I forget about them.

Reference 1: http://psmv2.blogspot.co.uk/2013/02/depressed.html.

Monday, 30 May 2016

Boxed set

There is a tendency these days for classical music concerts to go in for complete sets, a variation on the boxed sets we consume at home. So last week it was off to the RFH to hear Richard Goode, not heard by us before, do Schubert's three last piano sonatas; D.958, D.959 and D.960. With us having heard two of the three just about a year ago, from Daniel Barenboim. See references 1 and 2. With the third having been heard just a few months ago at the Wigmore Hall. See reference 3. Scattered mentions in the other place, that is to say http://pumpkinstrokemarrow.blogspot.co.uk/. So all in all, all three have been heard a bit - but I was still a bit worried about attempting all three in one sitting, worries which turned out to be unfounded as it all went very well.

Started off with news on the train that, given the movement at the Chelsea Flower Show from traditional to conceptual displays, some of which move about, Damien Hirst has been appointed artistic director on a five year contract at an undisclosed salary. Hard to see how he can pull any more punters into the circus than they get already, but no doubt we will hear all about it this time next year.

On past all invisible exports going up at Vauxhall, providing topical background to more news in the free newspapers about how awful it was that this or that public service had not provided this or that particular public service. When will people learn that something has to give if we live beyond our means and decline to pay our taxes?

Into the RFH to come across a young foreigner tucking into a large tub of some red pastary goo - goo which I do not suppose he had bought on the premises. Pretty much on a par with the chap noticed at reference 4. House fairly full, at least downstairs, with the audience somehow seeming oddly shabby, down to and including one young man who saw fit to appear in the front row in his vest.

But none of this detracted from Goode, who was very good indeed. I was particularly taken on this occasion by the scherzos. Goode also had very good stage manners, of the quiet not flamboyant variety, apart, that is, from a fair amount of mouth action.

Not for the first time I wondered about the occupation of page turner, an occupation which requires good long range score reading ability. Is it the sort of thing a wannabee pianist could be seen doing? Are there keen young pianists queuing up to be given the chance to do it? I associated at this point to stories about actors who don't care to be known to have taken understudy roles on the grounds that it is bad for their professional standing. Also to a concert I had been to where a musician told us how exciting it was to be on stage with a fellow musician (see reference 5). How much you could learn by being up close and personal with the action. Which seems entirely plausible in the case of page turning, except that in my case I think I might get so interested in the music that I would get careless about turning the pages.

Out to a lot of unpleasant noise in the Clore Ballroom, which rather jarred. A pity that they could not have arranged for there not to be noise as we left the main hall.

And onto the very handy off-license at the top of Platform 1, where they did me two shots of red, 175ml each, plus plastic cup, for £6. Past Master Boris rules about drinking on his trains notwithstanding.

PS: there must be a more geekfull way of getting text into an image file. You do seem to be able to paste from Word into Paint, but I could not deal with the image size problems on arrival, and was reduced to reducing the font so that the Word document fitted onto a page, then scanning it back in as an image file. All very clumsy and not very satisfactory at all - but a warm review.

Reference 1: http://psmv2.blogspot.co.uk/2015/06/part-1-of-2.html.

Reference 2: http://psmv2.blogspot.co.uk/2015/06/part-2-of-2.html.

Reference 3: http://psmv2.blogspot.co.uk/2016/01/mainly-schubert-1.html.

Reference 4: http://psmv3.blogspot.co.uk/2016/05/more-soprano.html.

Reference 5: http://psmv2.blogspot.co.uk/2015/11/portuguese-connection.html.

Observation

I  must have got off the train at Earlsfield many times, perhaps hundreds of times. but I do not recall ever noticing the trim to the roof of the small parade of shops next to the station, perhaps built at the same time as the station entrance which was recently swept away - taking with it a useful secondhand book shop, kept by an older gent. who used to smoke out the back when things were quiet. I think he took the money to quit and retired; the very gent. who had sold me a number of very cheap copies of 'Jane's Fighting Ships' over the years.

But last week this trim caught my eye. Fake Mediterranean, the sort of thing you get on the stands they put up at shows like the Ideal Home Exhibition - and inside Spanish, Mexican and Italian flavoured restaurants. Perhaps decorating the bar. A variation on the fake fronts you put on garages in suburbia to soften the edges of their flat roofs a bit, to make them sort of match the pitched roofs of the houses proper.

Probably of the same generation as the asphalt of reference 1.

I shall keep an eye out for more of the same. While trying to remember that this sort of fakery in architectural detail, this harking back to techniques and fashions of other times and places, has been around for a very long time, having first kicked off big time during the Renaissance. Or as the Preacher said a very long time ago, there is nothing new under the sun (see Ecclesiastes Chapter 1).

PS: on this occasion google's Streetview made a better illustration than my own snap, taken from outside the Half Way House and offering a view of a loudly fascia'd boutique offering Indian and Italian style pizzas. Round the corner to the right.

Reference 1: http://psmv3.blogspot.co.uk/2016/04/snippet-2.html.

Sunday, 29 May 2016

The modern way of doing things

Wanting a bit of a primer on mathematics and music, google turned up for me a paper which had been written by a Ms. A, then a student at the University of Wisconsin at LaCross (reference 1). A paper which I found very helpful, so I thought I would drop her an email and tell her so.

Google continues to oblige and turns up a Linkedin account for someone who looks very likely, now somewhere in France. Linkedin being something with which I have a very tenuous link on account of a keep fit class that BH goes to.

Linkedin offers to send the someone something called an Inmail. OK, sezzaye, lets do it. At which point Linkedin invites me to submit my credit card details, not because, needless to say, that they want any money from me at this time, just to keep their records straight. I decide against.

And anyway, maybe it is not the done thing to send people unsolicited emails, not even thank you ones. Who knows.

PS: sezzaye being a nod to Uncle Remus, a relic of my childhood. I still have a handsome book of his stories, perhaps now banned for old-speak about slaves of colour, and perhaps with this actual copy of the book being a relic of my childrens' childhoods' rather than my own - a time when I thought I was pretty good at reading them aloud. And with 'sezzaye' being a word I was in the habit of bloggng a few years back. See references 2 and 3.

Reference 1: https://www.uwlax.edu.

Reference 2: http://pumpkinstrokemarrow.blogspot.co.uk/search?q=sezzaye.

Reference 3: http://pumpkinstrokemarrow.blogspot.co.uk/search?q=remus.

Saturday, 28 May 2016

Trolley 44

Earlier in the week I came across a group of three trolleys, just across the road from Epsom's strip club, just visible behind the pole, aka pole dancing venue, aka gentlemen's club - and, whatever the name, very handily placed for the headquarters of the dance division of the Laine Theatre Group. See reference 1. That apart, I am stumped for a story as to how the three trolleys found their way there - unless they had been collected up and were waiting for the van to take them home. Which does not seem like much of a runner.

I did wonder about whether I could manage to wheel three trolleys through the town centre, reasonably busy at the time in question and a trip which involved several road crossings. As it turned out the journey was fine, only attracting a few sideways looks.

The important thing was not to attempt to push the trolleys from behind if the pavement was sloping down either to the right or to the left, in which case the drill was to stand slightly below the trolley and push from there. This way the trolley carried on in roughly the right direction rather than veering downhill in a more or less uncontrollable fashion. With this behind me, I think I would probably be OK for up to about five trolleys, although at that number I think an agricultural rope tie might be a good idea.

No greeter on duty at M&S, so I was unable to attempt to wheedle any kind of a reward in kind.

PS: following a stewards inquiry, it was ruled that these three trolleys should count, for the purposes of the record as one. So trolley 44, not trolleys 44, 45 and 46 or even trolleys 44a, 44b and 44c.

Reference 1: http://www.laine-theatre-arts.co.uk/.

Reference 2: http://psmv3.blogspot.co.uk/2016/05/trolley-43.html.

More soprano

As it happened, having heard Meryly Streep do a job on a bad soprano on the Satruday, we were off to town to here a proper Soprano on the Sunday, one Anna Prohaska.

Started the evening sitting across the way from a red lycra clad young man who had probably been up and down Box Hill a few times and was then refueling from a large tub of some rather smelly red pasta stuff - so what with his trough work and one thing and another, he was occupying rather more than his fair share of space. Plus we had his new looking and gadget packed bicycle, also red. How long will it be before he learns some manners and does his trough work on the platform?

Off at Green Park to walk past a new-to-us restaurant called Sexy Fish, complete with a large floral fish on the pavement, about a couple of cubic metres worth, subsequently featured in the Evening Standard. According to reference 1, part of a chain which also owns the Ivy, but I don't think that it would suit either our palettes or our purses. Pity about the fine chipper that there used to be in Wilton Road. See reference 2.

Next up was the new-to-us iron grill work finishing off the returns of the ceramic art work which covers most of the outside of Debenhams. See reference 3.

Managed to drop my warfarin over cake and Chenin Blanc downstairs, before upstairs to a not very full Wigmore Hall, Perhaps houses are lighter in the summer.

First half of the concert, a couple of settings of the ancient 'Salve Regina', sandwiching a short piece by Webern, was really good; perhaps particularly so as we do not often get to hear lady singers. That said, really good though it was, I still can't see myself getting into opera. All far too contrived. But then, perhaps it is like cruises in that lots of people like cruises and lots of people say they would hate them - but with a lot of these last winding up thinking it is great when they actually try it. I associate to the door-to-door salesman course I once went on where it was explained that the people who put up the most defence at the door were often the easiest touch once you got inside. As far as cruises are concerned, I remain on guard at the door.

For some reason, the Octet was very good in parts, but seemed to go on a bit. Perhaps I was tired. But it does seem to be a piece that I cannot rely on. Sometimes it is really great, sometimes not.

But situation was redeemed by an encore involving the soprano and the whole sextet doing an arrangement from a Schubert singspeil. An encore which was really something. Audience very enthusiastic. Prohaska certainly has both voice and presence.

BH's interval ice-cream very hard again, with the lady next to us going so far as to break her plastic spoon. Fortunately the ice-cream girl had supplies of spare spoons. I must get round to sharpening up a small spoon to take to such occasions. Stainless steel should be able to cope.

Just caught the train to Epsom, which was good when it is getting on on Sunday evening, and just missed some broken down train kerfuffle at Earlsfield. Which was both good and a reminder that the platforms which I usually use at Earlsfield are in a sort of lay-by, with the real trains whizzing past on the main line. Obvious enough when I looked later in the week, but then I usually don't.

Reference 1: http://www.sexyfish.com/.

Reference 2: http://www.seafresh-dining.com/.

Reference 3: http://psmv2.blogspot.co.uk/2014/06/in-margins.html.

Friday, 27 May 2016

Water revisited

Last August I noticed at reference 1 a new front garden to a newly refurbished block on East Street. At the time I was worried about water, mindful of the borough's poor track record with newly planted trees.

As it turns out, the garden is doing well, with, for example, some handsome white foxgloves just coming  into flower. A nice change from the hollyhocks which are a lot more common hereabouts.

The only catch is that serious weeds, such as nettles and thistles, are starting to get established - with one such to be seen to the left of the foxgloves. Will the people managing the building manage to find the ten minutes or so a day needed to keep them down? Will the security people know the difference between a dahlia and a dandelion?

Reference 1: http://psmv2.blogspot.co.uk/2015/08/water.html.

Tidemark

A companion tidemark to that mentioned in the last post. This one down Longmead Road, looking north with the stream below the line of cow parsley and such, top right.

Snapped a day or so after the thunderstorm in question, by which time the stream was more or less back to normal levels. I wonder how long is was up on the grass for? Presumably just a few hours.

Must be some years since I have seen it making it to the road, maybe two or three yards off left.

Trace'n town today

That well known national treasure, the Dame Trace, was in town today for a meeting of the trustees at our University of Creation (see reference 1).

Being a little early, she stopped off a stop early, at Ewell West, thinking to take the odd beverage at the nearby Old Spring, maybe even wangling some of their speciality crustacea, on the house. As it happens a house which may have been frequented by her illustrious predecessor, Millais, in the intervals of painting his Ophelia in a nearby pond. See reference 4.

She also thought that, while she was at it. that she might contribute a bit of art to the community outreach program noticed at reference 2. Perhaps when the piece snapped above is hung in a proper gallery, she will write up the details on its ticket: what exactly her thought process was, what was going through her mind when she selected this particular tin, matching so well, as it does, the texture and colour of the background? Even down to the dying leaf by way of contrast. What sort of a truck did she opt to use for the crushing? How long did she have to wait for the right light?

I also noticed the careful placement of the tin on the tide mark from our recent thunderstorm, one of a number scattered along the Horton Clockwise.

Not as elaborate or as carefully thought out as the work noticed at reference 3, but a worthy addition to the oeuvre nonetheless. We are all grateful for her attention.

Reference 1: http://www.uca.ac.uk/.

Reference 2: http://psmv3.blogspot.co.uk/2016/03/outreach.html.

Reference 3: http://pumpkinstrokemarrow.blogspot.co.uk/search?q=Couper+Collection.

Reference 4: http://www.tate.org.uk/art/artworks/millais-ophelia-n01506.

Thursday, 26 May 2016

Florrie

Last Saturday off to Wimbledon to see Florence Foster Jenkins, too highbrow to last long at the Epsom Odeon. As it turned out, much bigger seats at Wimbledon than Epsom, which was nice. Maybe a couple of dozen takers for this matinée performance.

With Mrs. Jenkins turning out to be a very odd creature indeed. A rich New York socialite with musical talents and pretentions, whom everybody who was anybody loved and who thought that she was a good soprano - despite, certainly in old age, being rather a bad one. Bad enough to be very funny - but good enough to run to a regular series of semi-public concerts which were important society events in the twenties and thirties and usually sold out. Probably made her and her charities a fair bit of money. Complicated living arrangements with, in descending order of grandness, a hotel suite for public consumption, an apartment for marital bliss and some rooms elsewhere for her husband on his days off.

Four good central performances, one from Meryl Streep (whom I usually do like), one from Hugh Grant (whom I usually do not like, but was well cast here), one for the young accompanist (previously unknown to me) and one for the voice coach (a guest appearance by a regular from Midsomer Murders).

We dined at the Wimbledon All-Bar-One, in what was probably a branch of a bank. Busy at around 1800 with people of middle years, that is to say people mainly of working age but not teeny. Cheerful service (young & foreign), adequate food at reasonable prices. Reasonable choice of wine. Seats a bit uncomfortable.

Then, when we got home, intrigued by the whole business, I went off to Amazon to find the book at reference 1, seemingly knocked up by an enterprising journalist to go with the film. A rather oddly produced book, but a light and entertaining read. Hopefully, Mr. Bullock has been well rewarded for his enterprise.

The story in the book is rather more complicated than that of the film, but left me with the feeling that the film was a fair take on the truth. Also that Mrs. Jenkins must have been an interesting person to have been able to sustain her chosen role as a fine soprano: maybe someday someone will do a more learned job of the psychology of it all - both hers for doing it and ours for watching.

PS: I was intrigued by the publisher of the book, with Duckworth for me being the name of a publisher with a rather academic, not to say medical flavour. You would come across them in Dillon's (now Waterstones) or Lewis's (now vanished). But Google and Abebooks tell a rather different story. There was an academic publishing angle, but the publisher was better known for its stable of successful novelists - the likes of Barbara Cartland and D. H. Lawrence. Now a quirky independent at reference 2.

Also intrigued by her natal town of Wilkes-Barré, half named for John Wilkes, a true Brit - while she, like BH, claimed descent from one of the companions of that near viking, William the Conqueror. A town mixed up with anthracite and with the Wyoming valley, this last despite being on the Sesquehanna, a large river finding the sea near Baltimore. With Wyoming being a native American word to do with rivers and hills, with there possibly being lots of them scattered across the US.

Reference 1: Florence Foster Jenkins - Darryl W. Bullock - 2016 - Duckworth Overlook

Reference 2: http://ducknet.co.uk/.

Mixing

Mixing thoughts on the occasion of the 364th batch of bread.

My understanding is that if you mix up fine dry powders in a bowl with your hands, you very quickly achieve a very uniform mix. The composition of one cubic centimetre will be pretty much the same as another. And I imagine it would not be that hard to come up with some statistics about how good the mix is likely to be, perhaps in terms of sizes and proportions of the various powders. Do the varying densities of the powders have a discernible effect? Or the varying sizes of particles?

But if we now wet the powders and make them into a dough, what happens then? What about subsequent mixing? Intuitively, one now thinks that if two small bits in the dough start close together, they are going to stay close together as the dough is subjected to a series of more or less continuous deformations - where I see pulling the dough out into a disc and then folding it up as such a deformation.

Let us think of a small ball in the dough, which we perhaps manage to dye blue in some way which does not affect what it is we are trying to look at, but which does mean that we can track its progress.

Suppose we start with a brick of dough and pull it out into a flatter brick, with perhaps five times the area and one fifth of the thickness of the brick we started with. Our small ball will now be quite disc like. Then we fold the brick back up to the shape it was before - and we assume that our small flat ball is not affected by this folding.

Do the process again and our small ball is now twenty fives times as wide as it was and one twenty fifth of the thickness that it was. Say I do this twenty times and my small ball will have been deformed by some very large number, with my sum giving me 150 billion or so for 5 to the power of 16.

While it remains true that for any number Îµ > 0, however small, there is a number Î´ > 0 so that if two bits of dough start less than Î´ apart they will still be no more than ε apart after mixing - the only catch being that δ is a great deal smaller than ε.

The other catch is that I don't suppose that there were anything like 150 billion particles of powder in the first place. So what has gone wrong?

And what colour would the dough be? Could one see the alternating blue and white layers under a microscope, in the way that I think you can with a damascened sword. Or kitchen knife, as above.

Optimism

The Guardian may have gone of the deep end yesterday about building in Vuaxhall, but I was pleased to see the picture left about building in Palestine.

There might be trouble about roads water with the Israeli authorities, but at least the place (Rawabi) is up and appears to be starting to run. At least some Palestinians are ready for the move from living in heaps to living in nuclear families in small flats or houses, like so many of the rest of us.

And a week or so ago there was coverage about a handsome new museum to celebrate Palestinian life, albeit a tad empty so far.

So two signs of normal life, two green shoots, as we say when hoping that the economy is on the mend.

Wednesday, 25 May 2016

Guardian hot and bothered

The Guardian was getting all hot and bothered earlier today about the fact that the tower block known as the Vauxhall Tower, illustrated left, is largely occupied - or to be more precise, owned but not occupied - by dodgy foreigners.

They appear to have forgotten that the sale of this tower block made a contribution of £300 million to our increasingly dire balance of payments in the year in which it was sold. What you might well call an invisible export. And as long as the Bullingdon boys fail to rebalance our economy, we need the dosh, however irritating it might be to have to be nice to dodgy foreigners.

King John

Having done Nunn's wars of the roses last year, we thought we would take a look at King John this year., or rather last week.

For a change I was in the driving seat and managed it all the way to the top of the Rose car park without clipping a kerb once, something of a record for me. On the other hand I did stall once, so not quite a clear round.

Next stop, fish inspection on the upstream side of the bridge over the Hogsmill. As I recall, they were missing last time we looked but were back in force on this day. Large fish - say a foot or so long - on the left, small fish and fry on the right. The larger fish continuing to impress by their ability to stay in one place in fast flowing water while appearing to be hardly moving at all.

Stalls reasonably full for this matinée performance.

Staging good, fairly bare and with a return visit of the up-and-down table used in the wars. Costumes vaguely Tudor/medieval which is how it should be. A sprinkling of swords, also how it should be. Only marred by the inclusion of two computer screens, maybe four feet by three feet, high up left and right. Sometimes used to display battle scenes (presumably to make sure that we knew that there was a battle going on), sometimes to repeat the face of the actor with the stage. There were also some unpleasantly loud sound effects and musics - with antique music and instruments nowhere to be seen on this occasion. All rather tiresome.

We were sitting in the very front row, with only a sprinkling of people on cushions between us and the stage. Too near for me: something of the same problem as I have sitting at the front of concerts, with too many sights and sounds that one could do without.  I also wondered why people did cushions: I could not manage an hour on a cushion, never mind three, and it beat me why people did not grudge the time but did grudge the very reasonable cost of a proper seat - very reasonable that is, compared with the west end.

I was disappointed with the standard of the acting, about on a par with the Globe. Faulconbridge adequate. John sometimes good but far too inclined to play the petulant child. Elinor seemed more like a doting older mum than the mover and shaker she was, or at least had been. Constance at least had spirit, even it sometimes it did not feel quite right.

But I found the play interesting, with plenty to interest the audience of its time and the audience of today. Or at least me.

Afterwards I pondered about the dimly remembered dictum that a play should consist of one action at one time and in one place - with this play running through the 20 years or so of John's reign in something under three hours. A chap who, according to my Oxford History, has had an unfairly bad press. He was not that bad, although he was subject to temper tantrums and  he was unlucky to be lumbered with an unsustainable French empire at a time when the French had a good king. He also had his fair share of trouble with the church - although his speeches on the subject in the play seemed to rather anticipate the disputes of the Tudors, hundreds of years after his day.

I shall go again for seconds, despite the review from the Guardian included above.

PS: perhaps it would be helpful if Muslims went along and paid special attention to the way that we infidels regulated relations between the spiritual and secular worlds - something which they do not yet seem to be much good at.

Reference 1: http://psmv2.blogspot.co.uk/2015/10/the-end.html.

Tuesday, 24 May 2016

Electrical DIY

The torpedo switch on my bedside light started to misbehave the other day. So feeling bold, took it to pieces to investigate, to find one of the four connections had frayed apart. Sorted that out, but while putting it back together, found that one of the four small screws which made the connections had been replaced by the wrong screw during some previous round of DIY. Presumably the right screw had fallen down some crack or other.

So while the torpedo switch now worked, I was unhappy about the wrong screw. So, off to Screwfix who did not sell them at all. Carried on to Robert Dyas who had just the thing, the larger one in the illustration.

Well I thought it was just the thing, but having got it home, I found that there were two stickers, removal of which required white spirit and quite a lot of elbow grease.

Next problem was that, as is the custom with such electrical fittings, it had been made as awkward as possible to fit.

But there was some good news. While awkward, the new switch was much better made than the old switch. Poking the wires into little brass blocks is a lot better than trying to wrap them around little brass posts. The switch itself has a much cleaner action. Maybe it will last longer than the 15 years or so of its predecessor. Maybe it will not result in an electrical fire.

Snapped above with the array of tools which I found necessary to do the business. All important army-style knife top right, including the substantial spike quite wrongly said to be to do with horse shoes, but which is actually to do with undoing knots. See reference 1.

Note also the very old-style white flex, of which I am pleased to say I still have modest supplies.

Reference 1: http://pumpkinstrokemarrow.blogspot.co.uk/search?q=mole+avon.

Oeuf news

Following the last post, the egg has been left on the table on the patio, about 24 hours altogether now, during which time it has been visited by at least one magpie and one crow, this last being shyer than the magpie. The contents of the egg are still more or less liquid and there has been consumption, so one hopes that avian digestion systems are better at bugs than ours are.

Oeuf

A chicken's egg which BH turned up from a flower bed in our back graden, more or less buried. More or less in one piece. Speculations as to how it got there continue.

Current theory is that one of the neighbouring chickens escaped from her run long enough to lay in the bushes, egg subsequently found by a fox who carried it off for burial for safe keeping in our garden.

Not convinced by the children's story about one rat clutching a chicken's egg to its stomach, while another pulled it along, on its back, by its tail. And I don't think a rat could carry such an egg in its  mouth.

I also associated to the anecdote in 'Seven Pillars of Wisdom' about a huge stink from an ostrich's egg which they had opened up. Had to move camp to get away from it. Thinking to test google, I got a pdf of the book in about twenty seconds, and found the egg reference about forty seconds after that: 'A man ran up to us with two great ivory eggs. We settled to breakfast on this bounty of the Bisaita, and looked for fuel; but in twenty minutes found only a wisp of grass. The barren desert was defeating us. The baggage train passed, and my eye fell on the loads of blasting gelatine. We broached a packet, shredding it carefully into a fire beneath the egg propped on stones, till the cookery was pronounced complete. Nasir and Nesib, really interested, dismounted to scoff at us. Auda drew his silver-hilted dagger and chipped the top of the first egg. A stink like a pestilence went across our party'. I wonder now how a large animal like an ostrich manages to find enough to eat in the Arabian wastes. Are lizards and snakes important parts of their diets?

Perhaps we ought to get in touch with the Countryfile people in town or with the Twiggiwinks hospital up the road in Leatherhead for a more expert view.

PS: colours in the picture quite different according to whether the sun was in or out. This is in, with bowl and egg quite a deep colour. Out, bowl and egg rather paler and with the wall behind a distinctly blue colour. Its actual colour being white. Tricky business.

Monday, 23 May 2016

QEH blows it

Begging letter today from the South Bank Centre in aid of the Queen Elizabeth Hall refurbishment.

I started off a bit annoyed by the headline about brutality, this about a building I rather like. Then I was pondering about how much I might give them, given that we do use the South Bank a reasonable amount, probably a lot more than average, when words about making the foyer even more accessible than it is already caught my eye. That is to say making the foyer even more crowded, busy and noisy than it is already, at times when we might be turning up for concerts. And I had hoped that they were going to return at least part of the foyer to foyer, not to say antechamberlain, purposes.

At which point the letter was scanned and shredded.

PS: I don't mind so much at the Royal Festival Hall, where they use the semi-detached Clore Ballroom for accessibility events. This venue being much bigger and much better able to absorb extras.

Throbbing wallpaper

The throbbing wall paper at the back of the Wigmore Hall mentioned a couple of posts ago. Just about visible in this snap lifted from google.

If I happen to pass at a sensible time, perhaps I will ask if I can take a proper snap, a bit closer and without the performers getting in the way. My guess is that they would be amused, but they would oblige, perhaps to the extent of letting me onto the stage, not accessible from the auditorium.

Group search key: jsa

Blondes

I mentioned a blonde in the post before last. The right hand lady in this panel from the Portinari Altar gives something of the idea: the neck is almost right, even if the hair is not quite right.

Group search key: jsa.

Corsica

An old photograph of the King of Corsica in Berwick Street, noticed in the last post, from even before my time. From a fellow blogspotter turned up by google, someone who clearly nostalges about times gone by in much the same way as I now do.

Market a bit more lively then than it is now, going the way of nearly all the other once thriving London street markets. Street food or die!

Group search key: jsa.

Jerusalem

Last Monday lunch time to hear the Jerusalem Quartet again, last heard at St. John's. See reference 1.

Started with tea & coffee at a place called 'Vital Ingredient' in Margaret Street, a place which did seem to be rather full of itself as regards its snacks. Also sported a very jolly young waitress, but was even more memorable for its wall covering, illustrated left. Wall covering which looked and felt like wood but which also appeared to have been stuck on the wall, despite not having joins in the way of wallpaper. Was it some kind of artful one-piece plastic sheeting?

Onto the Wigmore for the concert, both performed live (unlike St. Luke's) and with a very restrained introduction (also unlike St. Luke's). Beethoven Op.18.2 and BartĂłk string quartet No.6. Both very good. What is more, while concentrating on one of them, the lightly patterned yellow wall paper behind the musicians started to throb, an illusion which, once started, came and went in an irregular way for the rest of the concert.

Large security person on the door who successfully deterred any demonstration either inside or out.

Out to lunch at Ponti's, where we have not been for a while. Entirely satisfactory meal, washed down with a couple of bottles of something called 'Primitivo Puglia' which, associating to the meal noticed at reference 3, I had assumed quite wrongly to be a white wine. But it went down OK, without, on this occasion, cause to regret it later. Nor even, the winding up Martell. Informative, if not entirely appropriate, conversation about the length of time one might expect one's only bathroom to be out of action during a serious makeover.

But rather surprised to learn that that had converted their basement into a bar - Perini & Perini - not using the attractvie dĂ©cor so carefully thought out for the restaurant at all. Even to the point of preserving the lines marked out on concrete floor from the small car park it had once been. Will it catch on? It is not as if there are not regular pubs in the vicinity. By way of encouragement I was given five little cards, each one entitling me to a glass of fizz on the house - so making it clear that whoever had made the cards up had not twigged that I do not do fizz, at least only very rarely.

Next stop the impressively stocked Schott of Great Marlborough Street for the purchase noticed at reference 4.

On to Berwick Street market, where the once notable pub, once called 'The King of Corsica' and known to us as 'Sleazy 2', had been very thoroughly made over. We did not look inside, but I imagine that there was more passing trade, holiday makers and tourists than there used to be.

Passed what had been the 'Intrepid Fox' and now just another a carefully scruffy food joint for tourists. Another link with the past broken. See reference 5.

Investigated birch wine at the two booze shops in Old Compton Street, but the best they could offer was birch vodka at £30 or so, which seemed a little strong for a lark. So passed.

Also passed the once famous Coach and Horses of Greek Street, very quiet late this Monday afternoon, décor unchanged from the olden days, but somehow the spirit seemed to have gone out of the place. All very sad - but maybe this was down to us, passing through rather than partaking.

Pleased to see that some of the second hand book shops of Charing Cross Road had survived.

On the train home, intrigued by a young lady, perhaps 20, a blonde who had swept her hair up and back, tied very tight on the back of the head, emphasising her neck. Rather attractive, and reminded me of the women's fashions memorialised in paintings from northern Europe of the time of the renaissance in southern Europe.

Reference 1: http://psmv2.blogspot.co.uk/2015/11/jerusalem.html.

Reference 2. http://www.pontisitaliankitchen.co.uk/.

Reference 3: http://psmv3.blogspot.co.uk/2016/03/it-is-forbidden-to-blow.html.

Reference 4: http://psmv3.blogspot.co.uk/2016/05/winterreises-old-and-new.html.

Reference 5: http://pumpkinstrokemarrow.blogspot.co.uk/search?q=intrepid+fox.

Group search key: jsa.

Sunday, 22 May 2016

Scanning the brain for stuff

This morning we play the game of thinking about how the brain might go about its business if it were a computer, prompted in large part by reference 1 and a variation on the game played at reference 2.

We suppose the brain has been told for look for something, say a mammal whose common name in English starts with a certain letter, say ‘C’. ‘C’ for coypu or for Chinese pangolin.

We suppose also that the brain strategy is in two parts. Part 1 – the left hand pale box in the diagram – delivers a candidate object from the brain’s store while part 2 – the larger, right hand pale box – checks that candidate against the requirement. Plus a supervisor who does things like going back to part 1 if we need to look at another candidate, quite possibly but not necessarily because a candidate has just failed.

We suppose that the brain stores all its objects – objects in the sense of real world places, times and things - in the one place. It can just poke around, more or less at random in that place. We might think of the store, following brain structures generally, as a two dimensional sheet which can be sampled by generating a couple of random numbers, interpreted as coordinates. Or one can just scan the store in a systematic way, starting top left and ending bottom right, as one might scan the page of a book. The results of such a scan might be more or less random or they might be organised in some way.

Alternatively, depending on the question being asked of it, there might be an index which is helpful: in computers and books, indexes can be very useful - while google must have lots of them – and some of them at least are dynamic, adapting to new objects and to new uses. So the index to a book might tell me on what page or pages I can find the word ‘elephant’. A cunning index might do some of ‘elephants’, ‘elephantine’, ‘elephantiasis’ and ‘Ă©lĂ©phant’ while it was at it. And given its behaviour, the brain looks to have some capability of this sort. It knows what object it was last looking at. From one object it can get to other objects, with the latter associated to the former for one reason or another. It may have indexed all the elephants it knows, if that is something of special interest. It may have memorised and indexed various sequences, for example all the tube stations between Upminster and Earls Court (carefully avoiding here any need for branching, which would take us out of the world of sequences).

Maintenance of all these indexes might be partly a matter for background activity, perhaps something which gets attended to during sleep, partly a matter for conscious effort.

So first off, looking at part 1, the brain compiles the query, decides how to handle it. Is it going to go for indexed access or random access? There might also be some context which tells us that speed more important than accuracy, or what the stakes are and such context will qualify the compilation process. Having gone through all this and decided how to execute the query, the brain then actually does the execution and delivers a candidate.

We can now move onto part 2 and the first thing to do is to check for candidates which are either pictures or words. Pictures down the left hand path, words down the right hand path, anything else discarded.

In this, the brain continues to check for priming (see reference 3). Is this candidate already in mind? If it is, this and subsequent checks will be qualified, biased in its favour. Perhaps making mistakes on its behalf.

Picture candidates are then subjected to a battery of picture tests, a battery of tests which is context sensitive. We suppose that testing is a bit hit and miss, sometimes giving the right answer, sometimes not. The order of testing might also be a bit hit and miss. Plenty of noise in the system as well as the bias which may have been introduced by priming. So in this case, we might test whether the picture is that of an animal. Then does the animal have two eyes? Does it have four legs? Does it have fur? After each test the brain looks at the score and decides what to do next. Outright acceptance and promotion to consciousness? Outright rejection? Switch to word tests (change mode in the illustration)? Do another picture test? And this will go on until there is an outcome, or perhaps until the process is timed out by the supervisor.

Word tests go through the same sort of thing. Part of this will be classification. Is the candidate in hand an X, where the mammalian status of an X is known? Perhaps mammalian status is a property for which animal words have been pre-coded. In any event, in the case of a positive reply, the brain can apply a well-known syllogism – well known that is in historical rather than evolutionary time –  to either accept or reject the candidate.

Most of the time, given sobriety and plenty of parallelism, something is delivered to consciousness in fairly short order, say within a second or so of kicking the process off, during which time the brain may have sampled hundreds, if not thousands, of its objects.

The object offered up is then subject to a final check in consciousness. Which can be orderly and use a proper algorithm, an algorithm which is rarely wrong. The sort of orderly checking which the unconscious mind seems to find difficult and which often makes mistakes – mistakes which are the basis of many tricks, conjuring and otherwise. Evolution did not make much allowance for tricksters, not that common out in the jungle.

The number of right answers will depend on what is being looked for, will depend on the question. There might only be one right answer (what is the big city on the Thames), there might be lots – or at least several (give me a town on the Thames starting with ‘W’). In either case the process is something of a race: which candidate, right or wrong, will be first past the post?

One tricky aspect of the system proposed here is the need to generate or perhaps just to select suitable, context sensitive tests. In the case of common questions, batteries of tests might be to hand, while, in the case of rare questions, rather more preparatory work might be needed. While google’s deep mind might do something else altogether; something which is probably fairly proprietary.

PS: one might suppose that there are lots of people out there doing exactly the same kind of thing as I am doing here, lots of people for all the lots of ways there are of drawing diagrams such as that above. Not to mention all people doing common or garden work on search strategies. But I don’t come across them very often – perhaps, in the end, because it is more fun to do it oneself than to read about what the other chap is up to.

Reference 1: http://psmv3.blogspot.co.uk/2016/05/new-game.html.

Reference 2: http://psmv3.blogspot.co.uk/2016/05/thoughts-about-self-control.html.

Reference 3: https://en.wikipedia.org/wiki/Priming_(psychology).

Railway lore

Following the late start to railway lore noticed at references 1 and 2, yesterday I came across a train called a Decauville, in a Maigret story, chugging around some yard or other, probably not a regular train. For once both Littré and Larousse failed me, while Google did the business. It seems that M. Decauville was a French entrepreneur who invented and did very well out of narrow gauge railways, rolling stock and locomotives. Wikipedia offers this picture, which I presume is of the identification plate which was attached to the front of one of his locos.

Worth noting also that the Maigret story in question - La Charretier de la "Providence" - was the first which I have read which makes a big deal of the milieu in which the story is set, in this case the canals to the east of Paris, at a time when a lot of the barges were still horse-hauled. Rather in the way that lots of more recent thrillers make a big deal of chunks of specialised knowledge - say about the luggage handling arrangements in airports - to give a bit of colour to the thrills. An early Maigret which, as it happens, was written on a boat on a canal, but not something which I have come across in Simenon before. Perhaps he grew out of it.

I offer as a factlet from this particular milieu, the fact that a horse drawn canal boat which did not have its own two horses and on-board stable was known as a banana - which also happens to be the French word for a banana, from the Portuguese.

The story of the books themselves starts at reference 3.

Reference 1: http://psmv3.blogspot.co.uk/2016/04/a-different-kind-of-heritage-operation.html.

Reference 2: http://psmv3.blogspot.co.uk/2016/02/swanage.html.

Reference 3: http://psmv3.blogspot.co.uk/2016/02/simenon-1.html.

Saturday, 21 May 2016

A publishing puzzle

Taking a break with the NYRB this morning, I came across an article about a Chinese astronomer called Fang Lizhi who, with his wife, had written an excellent book of popular science about the creation of the universe.

A little old, being from the late eighties, but I thought just the thing for me, so off to Amazon, where the best offer was £60 or so secondhand, which was a bit too strong. So off to the Book Depository, often cheaper than Amazon, but not on this occasion, while Ebay seemed to think that I was talking about a comic book. Last resort, off to Abebooks, to find they were offering the book at prices ranging up to over £1,000.

What is wrong with this highly puffed book that the equally highly puffed market forces work in such an odd way?

Friday, 20 May 2016

Thoughts about self control

Prompted by a 2014 paper called ‘The evolution of self-control’ by Evan L. MacLean and lots of others from all over the world.

A paper which was about the varying abilities of animals to inhibit learned motor responses, the response, for example, to look under some particular box for a bit of food. This last being a test for the A not B error invented by Jean Piaget, well over half a century ago. See reference 4.

I was intrigued to read in the paper that elephants, despite their large brains, were not very good at this sort of thing, were always making the A not B error.

I also associate to stories about mobilising armies at the time of the first world war. At that time, in mainland Europe, mobilising armies was all about getting very large numbers of armed & disciplined men to the frontier one wanted either to cross or to defend. In either case the idea was to do it before the other lot did, but my present interest is more about how easy or not it was to stop this process once started.

The men, together with their arms, baggage, equipment and horses, were moved mainly by train. Long railway journeys from the interior of the country in question to the frontier in question. Journeys which might be hundreds of miles long and might take days, if not weeks. I leave aside the laying of the additional tracks which might be necessary for this is to be done in an acceptable time. But even without that, such movements were complicated and required large numbers of movement orders, orders which all had to fit together, like a jigsaw, to make a coherent whole, the whole in question being the movement of an army, in one piece, to the frontier. And it clearly saved the staff officers time if all these movement orders had been drafted, at least in part, in advance: one could then just get down the relevant box file from its shelf and have all the stuff in it fed into the telegraph machine. I leave aside the business of being sure that the telegram containing the movement order which arrives at a unit does indeed come from Army Headquarters – a problem which, I think, first manifested itself at the time of the American Civil War. And the related problem of being sure that no-one could read the telegram in transit who should not. Not to mention someone tampering with the box file while the staff were out at polo. Or lunch.

Being picky, one might add that not all the orders are about movements. One might need, for example, to put in an extra order to the coal man for all the extra coal which was going to be burned by all those extra trains. Which triggers the further thought that when warming up orders which might have been put together some time ago, there are going to be glitches. Perhaps the coal merchant mentioned in the orders has gone bust – and too much of this and the chaps on the ground are going to get into a pickle – the lesson being that plans need to be tested from time to time to make sure that they still work.

Leaving that aside, the crux of the matter in hand is that while the army has to move by rail, the orders can move by telegraph, so the army might have been on the move for some days and it might still be possible to call a halt. Being more precise, it is still possible to call a halt until the first units go past the last telegraph office. Until then, one can always get the telegraphist to charge out of his office waving the red flag. Always provided that the units in question did not have the sort of orders which anticipated and overruled such flag waving; the sort of orders which I understand strategic bomber crews would be have been given during transition from the cold war to a hot one. Once they have been given the go signal, they do not stop for anyone. I suppose the idea here is to stop anyone unimportant having second thoughts about nuking some enemy city, second thoughts about killing millions of more or less innocent people.

A catch might be that if one does call a halt in this way, one’s army is left in a bit of a mess. It would, for example, be a lot harder after such a halt to get the army from frontier A to frontier B than it would have been to head off to frontier B in the first place, where the threat now turns out to be. The railway network would be gridlocked with stationary trains, including the ones carrying the food for the chaps out in front. And the army would be a sitting duck if, when suddenly halted in this way in open country, perhaps strung out along country roads, the enemy came crashing through.

I don’t think the staff work at this time, around a hundred years ago now, would have included prior preparation of all the orders needed to countermand a mobilisation which was already under way. Perhaps nowadays, with computers, an appropriately authoritative general could just press the abort button and the computer would crank out all the orders needed to get the army back into its barracks and dĂ©pĂ´ts in an orderly way.

All this being by way of an analogy with the central nervous system of a person, variations of themes aired last year at references 1 & 2 – and an analogy which highlights the fact that commands do not happen instantaneously, rather they are processes which take time; weeks in the case of an army and a second or so in the case of an animal. Processes which can which can be interrupted and which can go wrong. An analogy which provides, as it were, a magnified view, a stretched out view, of what in a person takes place within a very small compass, both in time and space.

The issue in this case being the ability of a person, or in the case of the paper with which I started today, an animal, to stop a motor action which has been initiated unconsciously, initiated in the interests of speed but perhaps without taking all the relevant information into account. So the mobilisation planned on the basis of last year’s manoeuvres has been kicked off, without waiting any longer for important information which might be coming in from Agent Orange.

The analogy starts to break down when one observes that the central nervous system does not have a slow track for movements and a fast track for movement orders. There is only one set of tracks and they all work at much the same speed. Although that said, consciously controlled movement is much slower than unconscious movement – at least partly because conscious processing is slow, with things happening at sub-second speed at best, certainly not split-second – with the idea of many training regimes being to make the desired movements more or less unconscious, and so fast. So soldiers are trained to shoot, not to think.

I shift now to the trunk of an elephant, which despite the doubts and difficulties expressed at reference 3, does contain a large number of muscles. So translating the executive command ‘pick up the apple’ into the thousands of carefully sequenced commands needed to move the trunk in the required way is quite a business, which, even supposing that what we are doing amounts in some large part to retrieving a stored program rather than writing one from scratch and allowing for the large brain of the elephant, might take hundreds of milliseconds. The elephant may even have started to issue the first commands, perhaps readiness commands for the first muscles in the program, before it has finished computing the last commands. However, during this time, the elephant might spot something much better looking than the apple, in some quite different direction. At which point the elephant is able to stop, to abort the pick up the apple command, and perhaps after a bit of trunk twitching and perhaps after a short pause, to move onto picking up the chocolate bar.

So in some sense or other there must be more than one set of tracks, more than one route. Perhaps it is in part a volume thing: the many commands needed to make the trunk move can only move along at a fairly stately pace, but the short, sharp command needed to put a stop to the whole business can whizz along the hard shoulder and catch the many up at some junction, some choke point which it is easy to shut off. Thus accounting for the pause while the now unwanted commands dissipate – somewhere or other.

A wheeze which can only be made to work in animals which are conscious? Not that the consciousness is strictly necessary, one could program a robot up which could manage such stuff without, but in real animals, consciousness does seem to come with the necessary access to command & control functions.

Another angle might be chemical preparation for action; that is to say it is not enough to send the command by neuron, one also needs to organise energy supplies by dilating blood vessels, perhaps also to get the heart pumping a bit faster, and one may need to organise supplies of neurotransmitters at various places, at the synapses involved in relaying the commands to the muscle of, in this case, the trunk - harking back here to the purchase orders for coal mentioned above, orders which might or might not be fulfilled by the civilian contractors when they get back from lunch. This sort of chemical action sounds quite time consuming and it may be necessary to kick it off on a speculative basis, before one has decided what exactly it is that one is going to do. It may also be quite broad brush in that while one can send a command by neuron at a particular time to a particular point in the body, chemical action is going to cut a wider swathe. And is going to take longer to undo, if that is what one ends up doing; there may well be chemical debris to flush out of the system. In which connection, I offer as a closing (but unconfirmed) factlet, the waste product content of tears, with the tears serving, in part, to flush out unwanted chemicals produced inside heads at times of heightened emotion.

All in all, a reasonable and informative exercise, or at least it might be if one worked a bit harder at it. One analyses the workings of a visible system in order to inform one about the workings of an invisible one. On the understanding that the invisible one must, in one way or another, at some level, be doing the same sort of thing as the visible one.

PS: much of the military colour in the foregoing has been taken from the Parrott translation of ‘The Good Soldier Ĺ vejk’, written shortly after the first world war.

Reference 1: http://psmv2.blogspot.co.uk/2015/10/on-colonels.html.

Reference 2: http://psmv2.blogspot.co.uk/2015/09/an-analogy.html.

Reference 3: http://psmv2.blogspot.co.uk/2015/03/senior-to-elephantine-moments.html.

Reference 4: https://en.wikipedia.org/wiki/A-not-B_error.

Citadine

The Barbican is not the most handy place for Epsom, so for last week's Winterreise (see reference 1) we thought we would stay in the area.

Google quickly turned up a very reasonably Citadines aparthotel in the Goswell Road, so we settled for that. A place which turned out to be French flavoured and so e-savvy that they sent us an email reminding us to bring our passports with us for identification purposes - but not so e-savvy as to tell their computers that this was a rule in France rather than in England. As it happened, my passport was in the post, so I took along my senior bus pass - which includes a photographic element - against the possibility of their really meaning it - which, as it turned out - they did not.

Failed at aeroplanes on the way, but did score one Chinook over Westminster or thereabouts.

But we did find a No. 4 bus which got us from Waterloo to Barbican Tube Station in fairly short order, thus proving that one could get to the Barbican from Epsom without using my usual Bullingdon.

Checked into our hotel to find our room quite small but very nattily equipped, including the kitchen illustrated. It says something about today's travellers that it was worth spending some of the very limited space available on a dishwasher. It is also true that it is a pity that hotels such as these were not available in my travelling days: snacks very decently provisioned by the next door Tesco Express in the comfort of one's own hotel room, with Cortana for company, would have been a lot more wholesome than all that calorie, salt and e-number filled stuff you mostly get in outdoor eateries.

Notwithstanding, out to one of the few cafés in the area still open, late this Friday afternoon, to take a very decent bacon sandwich. Bread a little thin and bacon a little salty, but decent none the less.

On and across the Barbican Estate, where we were amused to find a number of micro-allotments in wooden tubs for the use of the plant-deprived residents of the tower blocks round about. There were even some broad beans. An estate which, to my mind, has worn well in the half century or so since it was put up and still looks pretty good. A monument to high class concrete work.

A further snack at the Benugos inside the Barbican Centre, this time a slice of carrot cake, so excess of sugar rather than excess of salt.

After the concert, we retraced our steps. We decided against a late supper in one of the various Italians available, settling instead for the Sutton Arms, probably a gastro-pub during the day but a brown-wood, old-style boozer in the evening. Some of the people in it may even have been locals and the only thing missing was the smoke. They also managed a good pork pie, good but too big for one sitting, so they were even good enough to cut it in half and wrap one of the halves in cling film for later. As it turned out we had it for first breakfast - after which we went back past the place to find it newly covered in scaffolding. We had liked the place, so hopefully it will survive.

A second breakfast somewhere in West Smithfield, in a café full of workmen and tourists, this being around 1030 on a Saturday morning. This café was chosen in preference to the next door Paul's - places where I find the bread tasty but apt to smash one's fillings. Crust far too tough. Also a touch pretentious. The café we had chosen came with Italian trimmings, but was possibly staffed by Turks, like the one in Whitecross Street. But unlike this last, still on lady waitresses. See reference 2.

Back across Blackfriars Bridge, where we were able to examine the the workings of the two-way cycle track running between the footpath and the north bound carriageway, complete with traffic lights to enable south bound cycles to get onto it. All terribly complicated, and I would prefer to simply use the road, but I suppose that will be forbidden some time soon.

Cycle track further decorated by a great herd of north bound cyclists out on some stunt or other. A chap on a penny-farthing leading the way, followed by various people in Edwardian dress, followed by lots of young people, possibly French, on hire bikes which said they came from somewhere in south east London. We did not manage to find out what it was all about.

Reference 1: http://psmv3.blogspot.co.uk/2016/05/winterreises-old-and-new.html.

Reference 2: http://psmv3.blogspot.co.uk/2016/04/back-to-st-lukes.html.

E with everything

You have maybe heard of email, you have maybe even heard of ebanking. But in Farringdon Road, near the Old Street hub of all that is creative in the IT world, they have etoilet. Snapped last week.

Mind boggles. If they can do that, maybe it will be ecancer next.

Thursday, 19 May 2016

Floating care homes

There was a fine picture of a monstrous floating care home in yesterday's Guardian - although this one from the Metro at reference 1 makes a better illustration here.

I assume that this site belongs to the people who knock out the free newspaper, that well known job creation scheme for the (zero hours contract?) cleaners for Southwest Trains. I had thought that it might say at the bottom, but it turned out to be a bottomless web page, bottomless in the sense that you never seem to be able to get to the bottom of it. Is it programmed for dynamic extension as you try?

One of the other pictures offered by google showed how it looks from one of the interior rooms with balcony, probably well inside the dark opening at the back, middle left above. For all the world like how it looks from one of the interior flats with balcony at St. George's Wharf at Vauxhall - not a view on which they seem to major at reference 3.

I was reminded of how awful I would find it to be cooped up with more than 5,000 other senior souls on board one of these things. And that is without even thinking about the food one would have to put up with. Not only awful, but I would be paying good money, perhaps even more than I would pay for a care home on dry land.

Then how awful it would be in one of those picturesque, unspoilt villages at which you are landed, a landing complete with a visit to a typical peasant farmer and his horned oxen. One almost feels sorry for the peasant farmers, but I suppose it actually pays a lot better than olives, or whatever it was that they used to do for a living in the olden days.

And lastly, how awful it would be to be cooped up for a day or so in one of their natty 500 person life rafts - nine of which can be seen lined up above the right hand tug above. See reference 2.

Altogether, very how awful. The only ray of sunshine being all the cabaret & floor show jobs created for all the dancers graduating from our Laine Theatre Arts, here at Epsom.

Reference 1: http://metro.co.uk/.

Reference 2: http://psmv3.blogspot.co.uk/2016/03/worried-of-epsom.html.

Reference 3: http://www.stgeorgewharf.net/.

Wednesday, 18 May 2016

Fish soup

A good fish soup today, which I felt I ought to notice, not having done so for a while. The most recent mention of haddock that I came across in a quick search being something quite different. See reference 1.

Coarsely chop one and a half medium sized onions and simmer gently for five minutes, in butter, lid on.

Add about a litre of water and five medium sized potatoes, peeled and cut into chunks of about a cubic inch. Bring to the boil and simmer for a further five minutes.

Add two ounces of white long grain rice, the sort which is pale brown from the packet. Carry on simmering for a further five minutes.

Meanwhile, simmer something under a pound of outdoor reared haddock, lightly smoked, for about five minutes in a covered frying pan, long enough for the skin to come off easily and for the flesh to flake easily. With the plus that the simmering in water has drawn a fair bit of the salt. Add the fish to the stew. Discard the simmering water.

Continue to simmer the stew for a further five minutes. Thus completing the whole operation in under half an hour.

Meanwhile, prepare and lightly cook some crinkly cabbage.

Just about right for lunch for one. Bit of soup left over for tea.

PS: I had thought to add some celery with the potatoes. Perhaps next time.

Reference 1: http://psmv2.blogspot.co.uk/2014/05/luvvies.html.

Trolley 43

About six weeks since the last event, trolley 43 was captured in East Street at some point last week. Snapped up by a grateful lady shopper on arrival at the trolley stand at M&S, before I could park it

The Gerry Weber bag being a souvenir of our visit to Westfield, back in 2010, briefly noticed at reference 1. The bag containing, on this occasion, my duffle coat, on its way home from its annual dry cleaning.

Another souvenir being our deluxe edition of the London AZ, something which is still regularly used despite being stored next to a gmaps capable PC and not far from a bingmaps capable telephone.

PS: I continue to puzzle over why market forces do not give us a better solution to cleaning clothes than dry cleaners, dry cleaning being a process which does terrible damage to clothes: they can't stand the aggressive treatment with powerful solvents and never look the same again. So why doesn't some enterprising immigrant come with something better?

Reference 1: http://pumpkinstrokemarrow.blogspot.co.uk/search?q=retailmania.

Tuesday, 17 May 2016

A bit of security

I was pleased to discover yesterday that google make use of their blogger product - the one which drives this very blog - for their own purposes. A use which suggests a degree of commitment; a degree of commitment which makes it unlikely that the product is, one fine day, going to go up in a puff of smoke.

Also pleasing to see google opening up plenty of their stuff to all comers. I dare say that in this they are keeping a careful eye on the commercial main chance, but it does create a good impression. I wonder whether I will get around to playing with their neural network toy? Is there enough quality time in the day?

And I dare say that, having found these two, I will come across others.

PS: I was amused to find that the Boaty McBoatface who has been in the news recently was actually a variation on a theme originally written by the chaps at google. See reference 1.

Reference 1: http://googleresearch.blogspot.co.uk/.

Reference 2: https://googleblog.blogspot.co.uk/.

Winterreises old and new

Last week to the Barbican Theatre to hear Ian Bostridge and others do a staged version of Zender's orchestral version of the Winterreise, complete with surtitles and a lot of lighting effects.

The last time is noticed at reference 1 and preparation for this time took the form of reading some of Bostridge's book about the work, noticed for the second time at reference 2. Bostridge himself we do not seem to have seen, at least there is nothing recorded in near ten years of blog life.

A nicely produced and illustrated book from Faber, mainly taking the form of a chapter about each of the 24 songs of the cycle. Accessible and not very music theoretical at all. From which I have learned so far that the cycle was very much a product of its time and very much more bound up with the story expressed in the words than I had realised. Also more clever and more crafted; a lot more sophisticated than the simple pouring out of emotion, which is how I mostly hear it.

I have also, I think for the first time, learned what a hurdy-gurdy actually was. I had thought that it was a hand held version of the barrel organ, a very small version of which is put into music boxes and children's toys, with the music being expressed as flaps sticking up from the surface of a hollow brass cylinder. One turns the cylinder and the flaps pluck the strings or open the valves. The hurdy-gurdy the Winterreise is talking about is rather different, with all five strings being continuously sounded by turning a rosined wheel against them. The tune arises from three of the strings coming with stops with which the player is able to vary the pitch - and with the resulting sound being not unlike a bagpipes. And in England, rather like the bagpipes, then confined to the western and northern outlands, Despite this the instrument had a long pedigree, long enough to appear in Holbein's vision of the expulsion of the first humans from the Garden of Eden. Named in German for the same lyre as the suite at reference 3. And so we have the 'leiermann'.

I worry about not having the words available from time to time, and on this occasion, for the first time, we had them in English projected in large onto the screen behind Bostridge. This meant that I was really able to connect the words to the music, but with the catch that whoever organised the projection was much more into artiness than legibility - and not even bothering not to project across bits of staging, which made reading the words even harder. A bad mistake, as for me the idea should have been to be able to pick up the words with an occasional glance, without having to make a study of them.

Further distractions provided by pictures of winter landscapes and heads. By Bostridge climbing about the set - surprising me by being able to sing when more or less lying down. I would have got vertigo and not been able to sing at all.

The conversion of the piano accompaniment to a small orchestra - the Britten Sinfonia, including both accordion and harp - was both clever and effective, but not, in the end as good as the real thing.

All in all there was too much going on and I was distracted from the music. It lost much of its impact - with, for example, the end of the last song being completely lost. Although, knowing what I know now, I do not agree with my father's dictum that this closing song should close at full blast, rather than the more usual very quiet. I think more usual was more right, and I settle for fairly quiet.

So, an interesting experience. I think that I would give it another try should someone else have a go, but I also think that I will continue to prefer the real thing.

The young audience - including quite a lot of people of working age - seemed enthusiastic enough and the lady next to me said that she had been transfixed. But then BH suspected her of being some kind of media type or luvvie.

Back home I decided to back the whole performance up by getting a copy of the score, and was only paused by confusion over versions for high, medium and low voice. Eventually, that is to say yesterday, I got a handsome German edition from Bärenreiter from Schott in Great Marlborough Street. Only £10 or so, which surprised me, but then I suppose that most people in my condition will settle for the freebie available as a pdf from google (a pdf which included some discussion about the merits of various translations of the poems), so they have to price it down a bit. And having had a try with this, a parallel text and some vinyl (Fischer-Dieskau and Moore), the current story is that I would get the best result by knowing the songs well enough for me to know what was going on without having to look at either the words or the music during the performance. Which should be in the original German as too much would be lost in translation. For example, the 'Marvellous old fellow' in the illustration above, taken from the pdf, does not seem quite right to me for 'Wunderlicher Alter', despite having almost the right shape, but it should be said that I know virtually no German.

PS: and going back to reference 3, I forgot to mention there that the Tan String Quartet, being a modern French Quartet, all used apple notebooks for the score, with foot pedals to turn the pages. First time I have seen a whole quartet do it. See, for example, reference 4.

Reference 1: http://psmv2.blogspot.co.uk/2015/06/winterreise.html.

Reference 2: http://psmv3.blogspot.co.uk/2016/05/winter-journey.html.

Reference 3: http://psmv3.blogspot.co.uk/2016/05/more-tuition.html.

Reference 4: http://psmv2.blogspot.co.uk/2015/09/cuarteto-casals.html.