This morning's brave wave was that perhaps a more convenient metaphor was that of a piece of instrumental music, with the various parts waxing and waning in the way suggested above, but with the whole somehow present in consciousness. Both integrated and differentiated as, I think, Tonini of reference 3 sometimes has it.
A full orchestra would have been better in the sense that it did not come with a small fixed number of threads, but I don't think it would work quite as well on the screen.
Note that there is a separate volume control for each thread.
I am grateful to reference 2 for the illustration, which appears to have been taken from the Beethoven String Quartets offered for sale by reference 1. The opening of Op.135 and a rather better copy than I would have managed with my telephone.
PS: a further thought being that once Deepmind has sorted out the challenge at reference 5, they could try reverse engineering the score of this quartet from a recording of a performance. Part 1: sorting out the threads. Part 2: turning the threads into the sort of score that a musician might recognise.
Reference 1: Dover Study and Playing Editions, New York, 1970.
Reference 2: http://themusicsalon.blogspot.co.uk/.
Reference 3: http://integratedinformationtheory.org/.
Reference 4: https://www.youtube.com/watch?v=laUMuPkm7Ow may be helpful. Very respectable quartet.
Reference 5: http://psmv3.blogspot.co.uk/2016/08/bees.html.
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